The Newfound music festival has come and past for another year and for me, it has definitely been the best yet. I don't know if it is because I am older, or if it is because I am learning to appreciate these festivals more and more but for me this year was definitely the best year so far. Thursday morning was definitely a big eye opener for myself. I got to see first hand, techniques of modern composers and how they take their ideas and manipulate them. For example the first session with Dr. Staniland showed a very modern way for creating music, using a looper. I have never done any work with a looper or max/msp but after this session it is easy to see where music is heading and the possibilities it has for creating music in this evolving world of technology. The topic of technology was almost a theme for the morning because guest composer Derek Charke also displayed some of his work on Thursday morning and it was easy to see that most of his work also involved technology. A lot of the work he showed us at this session had a pre recorded track to go along with a solo preform er or group. For example in his piece "gustandos" for solo flute, there is obviously a solo flute part but it is preformed with a pre made track specifically for that piece. This was definitely a huge eye opener because I was able to see where modern composers are in regards to what kind of elements composers now use to write. Another aw some aspect of this workshop was when he played "cirque de nord 3" for string quartet and "trio, for percussion" both play around with very interesting sounds from each respected family. In "cirque de nord 3" he shows us how he was able to arrange and capture traditional throat singing in a string quartet. The new bowing systems he created and the sounds that were produced were aw some and very intriguing. The "trio" was also very intriguing due to his choice of instruments. The Instruments he chose and the sounds he wanted worked very well and created a very cool effect. My favourite instrument that is required of a preform er for this piece is to put a bass drum head in front of a resonating instrument; like a harp, guitar or piano and then proceed to hit the head.
Overall this festival was very influential on me and I have learned some big and great tips for composing, but I also have picked up some small tips along the way which will definitely make me a better composer.
Monday, February 1, 2010
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